300: RISE OF AN EMPIRE (review) at FORCES OF GEEK

300: RISE OF AN EMPIRE (review)

Produced by Gianni Nunnari, Mark Canton, 

Zack Snyder, Deborah Snyder, Bernie Goldmann

Screenplay by Zack Snyder, Kurt Johnstad

Based on Xerxes by Frank Miller

Directed by Noam Murro

Starring Sullivan Stapleton, Eva Green, Lena Headey, 

Hans Matheson, Rodrigo Santoro, Callan Mulvey 

The sequel to the 2006 epic comic book film 300 is an impressive one, taking place at a similar timeline to the first movie as Greeks defend their land against Persia.

The beginning of the movie shows the mystical origin of the God King Xerxes (Rodrigo Santoro) as well as the rise of Athenian general Themistokles (Sullivan Stapleton).

In a refreshing breath of balance not seen often in Hollywood action movies today are the two female leads, Persian ally Artemisia (Eva Green) and widow of King Leonidas, Queen Gorgo (Lena Headey).

At points, it seems the God King Xerxes’ origin was a red herring, allowing these ladies to shine and spill copious amounts of blood with their own blades, while the golden king sat on the safety of this throne—quite literally the backseat for this movie.

Embrace the 3D version of this movie if you can! “Tonight we dine…in spectacle”!

Though not a requirement for enjoyment of the movie, most FOG! readers may want to give themselves a refresher on the original movie, directed by Zack Snyder and based on the comic book series by Frank Miller.Xerxes by Miller isn’t even out yet, so fans of the writer artist will need to wait.

The closest you can even get is a preview in Dark Horse Presents #1!

[READ MORE AT FORCES OF GEEK]

ROBOCOP (2014 review) at FORCES OF GEEK

Produced by Marc Abraham, Eric Newman

Screenplay by Joshua Zetumer

Based on Characters Created by Edward Neumeier and Michael Miner

Directed by José Padilha

Starring Joel Kinnaman, Gary Oldman, Michael Keaton, 

Samuel L. Jackson, Abbie Cornish, Jackie Earle Haley, 

Michael K. Williams, Jennifer Ehle, Jay Baruchel

While certainly not set in a desperate and dystopian Detroit of the future, the new Robocop movie is full of huge movie stars, video game action and a compelling storyline to take the franchise in a more modern direction.

Joel Kinnaman stars as cop Alex Murphy, and dons more than just a metal suit this time around to become a Robocop out for vengeance. Samuel L. Jackson is news anchor Pat Novak, Gary Oldman is Dr. Dennett Norton who brings Murphy back to life with his research funded by Omnicorp’s Raymond Sellars played brilliantly by Michael Keaton.

[READ MORE AT FORCES OF GEEK]

EARTH PRIME TIME: BATMAN: THE DARK KNIGHT RETURNS – PARTS 1 & 2

Frank Miller’s 1986 genre defining and milestone graphic novel, Batman: The Dark Knight Returns has been adapted in the latest installments of the DC Universe Animated Original Movies. The extended storyline demanded that the story—initially broken into four chapters—be broken up into two parts. The highly anticipated last chapter was made available on Blu-Ray, DVD or Download on January 29th. The Dark Knight Returns as a comic defined the look and tone of Bruce Wayne’s alter-ego for a generation, twisting both tropes of the comic book page and the media’s 24/7 news cycle down to their aging knees while all the while inexplicably breathing new life and reflection on both. We’re hard pressed to find fault with DC attempting to share the story with a new audience in a new medium, and aside from dyed in the wool fanboy nit picks, we’ve gone in depth comparing and contrasting the original art form with the movies to be mostly satisfied with the result. Peter Weller (Robocop, Star Trek: Into Darkness) stars as the aging Batman, eventually facing the maniacal Joker voiced by Michael Emerson (Ben Linus onLost, Person of Interest).

Both the movie and the book start out with a moustachioed and retired Bruce Wayne (Earth-31) totaling his racecar over the finish line in the Ferris 6000 motor race. After cheating death, Bruce meets up with outgoing Commissioner Jim Gordon for more than a few drinks and then a solo stroll through Crime Alley. He is confronted by some of the Mutant gang and scares the boys away. A restless night and a trip to Batcave after the encounter with Gotham’s new string of baddies motivates Batman back into the cowl, to the chagrin of our faithful Alfred Pennyworth. Sound familiar?

Christopher Nolan (and Tim Burton, for that matter) have a lot to owe this book for characterization and major plot points.

Another animated property, Batman Beyond owes it’s entire existence and frequently nods at this touchstone of future Bat-legacy.

[READ MORE at DIGBOSTON.COM]

Frank Miller - "Holy Terror" [Book Review - Clay N. Ferno of LeaguePodcast]

As a followup to my previous post, I received Holy Terror in the mail this morning. Here is my review.

Frank Miller’s most recent, and somewhat anticipated Holy Terror surprised me with its form factor immediately. Landscape comics are decidedly uncommon, but a clever way to have books stick out on the shelf. Miller has been working on this conceptually since 9/11. Partly a tribute to the Cap punching Hitler days, this work pits a superhero against a real world terrorist threat. Unfortunately, the master cartoonist, storyteller, and artist has missed the target.

Storytelling was awkward, abstractions were obtuse, and politically the story was tough to swallow. Also, make no mistake, this is a Batman story. Co-starring Catwoman. And Jim Gordon. Originally slated for a pre-relaunch “Dark Knight Returns” continuity DC Comics release entitled “Holy Terror, Batman”, we miss out on all of the good stuff in this release from Legendary Comics. 

A WORD ABOUT LEGENDARY COMICS

Legendary Comics is a subsidiary of Legendary Pictures. The studio dropping such great comic book movies from directors Nolan, Snyder, & Singer drops Holy Terror as its inaugural title. Safe bet there, with Miller being a true master of the genre. We look forward to books from other Batman creators Paul Pope (Batman Year 100), Matt Wagner and Simon Bisley. Editor-in-Chief Bob Schreck was installed in late 2010.  The personable Schreck is perfect for the job with over 30 years in comics. As a writer and editor he’s worked at Dark Horse, Oni Press, DC, and most recently at IDW. Will Legendary be the new ‘boutique’ publisher for high-end graphic novels and creator owned work? That answer has yet to reveal itself, with only three titles announced. 

HOLY TERROR 

All the pretending and dancing around that this is not a Batman book is most certainly a copyright and intellectual property issue, and not the truth.  DC Comics would never back this up. Seventy years of establishing this important Bat-brand, only to be sullied by an attention grabbing pro-American graphic novel would not be good business. I estimate The Fixer to be sitting comfortably in the timeline of Bruce after his retirement, and roughly five years before putting the cowl back on in Dark Night Returns. 

THE ART

There’s minimal dialogue, and no lettering credit. It’s safe to assume Miller lettered the book himself. Cool lettering and sound effects, too. His voice and his penstrokes are definitive. I’d love to watch him ink a page of rain coming down on a character! Ever since Sin City I’ve been in awe of his black and white Sumi-e brush strokes, the balance of the page, his chunky flat spotted blacks, wide eyes, and dynamic action. Dave Stewart provides masterful, well-directed, minimalist coloring (with a palette of no more than three colors).

I’ll drool over Frank Miller’s art any time, but this was more late-period Sin City than it was of earlier works of personal favorite cross hatch inkgasm, Ronin. 

AS A COMIC BOOK / GRAPHIC NOVEL

The biggest failure here is that the work is painfully aware of itself. This is a comic book. There are comic book tropes such as callbacks to other Miller comics, and a rather awesome play on the nine panel grid structure. Is this book for comic book fans or the general public? I had trouble figuring that out, and still have no answer.

The Fixer is murderously acting out a revenge fantasy that most Americans dreamed of post our nation’s greatest tragedy (and many still do). Is there much of an audience for that, even ten years on? Or have we all grown from those feelings, focused on our families, regretted our wars, and decided to live our lives? I have buyer’s remorse after reading this. I feel like this was a cash grab from both fans of Frank Miller and from über-Patriots who would read abour this book in USA Today and relive a hatred never to be forgotten. 

The story was compelling, but not surprising. I had known the plot from the original title, and internet rumors. The location change to  Al-Queda’s Subterranea parallel was interesting, but by that point I was just wanting the whole thing to be over. I kept struggling to imagine that this was a young independent creator, speaking volumes on our social troubles. But this book was not the product of that. I was reading the work of an elder statesman of comicdoms’ elite who had nothing to say that wasn’t hateful, short-sighted, and frankly a bit empty. 

MAYBE I JUST DON’T GET IT

Is Miller’s intention of this book being “bound to offend just about everybody” justified? By that, am I to be offended and just walk away feeling offended and say he did his job? That would be irresponsible and dishonest. Since when are critics to listen to an artist’s intention? The public is to digest and make their own opinions on ‘the work’. My strong relationship with Ronin and Dark Knight Returns are based on my formative years as a comic book fan wanting to read more of Miller’s work, and emulate it. Now I’ve got sour grapes because he’s telling me how to react to it. No way dude. You put out Dark Knight and I heard about it in 1987 because it was an amazing story. Not because you said it was. I’m not detecting an homage to old comics or irony at all in Holy Terror. Why is that, Frank? Hey, I stuck with you through that Spirit movie…is this how you’re going to leave us?

I’ll remain a Frank Miller fan, and I’ll be cuious as to what he comes up with for a next move. I’d love to see an apology, an explaination, or for Miller to go back to making great films and comics. I stand by Sin City as being as close to perfect a translation of comic book page to film as you can get. Hate speech, hate actions, hate anything will keep me away for good. If we continue to get more of this, you can be sure I’ll stay far from it.

LeaguePodcast and DigBoston Comic Book Picks of the Week - September 14, 2011

COMICS ARE COOL

Frank Miller (Dark Knight Returns, 300) takes a break from directing and drives it home with the long awaited controversial graphic novel, Holy Terror. Originally slated for DC Comics as “Holy Terror, Batman”, Miller replaces Bruce with a character called The Fixer in this 9/11 anniversary tome that’s “bound to offend just about everybody”. … Fan favorite artist Skottie Young drafts the Edgar Rice Borroughs’ hero John Carter in John Carter - A Princess Of Mars #1. Our resident ape specialist anticipates a drag out fight against the great white apes of Barsoom! … Buffy Season 9 #1 debuts this week, and even the solicit is full of spoilers. Buffy’s no stranger to a fresh start. It’s just like starting over as she relocates to San Francisco - comic book hero capital of the modern world, apparently. … Picks this week from LeaguePodcast.com.

Pass the Daily Dig along! Your friends can sign up here!