EARTH PRIME TIME: LEGEND OF ZELDA: SYMPHONY OF THE GODDESSES [REVIEW]
This past Saturday, The Legend of Zelda came alive on the stage at the Citi Wang Theatrein Boston with The Rhode Island Philharmonic and full choir, led by Zelda Symphony leader Jeron Moore. Fans of the long-running video game franchise, some in costume, brought their Nintendo 3DS’s out to play and enjoy the celebration of
Link, The Tri-Force, Zelda, and The Goddesses.
This was truly a unique experience for all involved. The tour came through for its second season,The Legend of Zelda: Symphony of the Goddesses, Second Quest. Fans of the game, parents, and those like myself that have fallen out of practice with video games in recent years gathered at The Wang Theatre for pre-recorded gameplay accompanied by a full orchestra and choir in two movements, and four acts.
After the Overture, Producer & Lead Creative Director Jeron Moore introduced himself to the crowd. This year marks the 20th Anniversary of The Legend of Zelda: Link’s Awakening which takes place not on Hyrule but on Koholint Island. This music lead us all into the theme of another handheld Zelda game, Spirit Tracks, a bizarre and underrated game where Link drives a train!
Jeron has re-presented these musical themes, with all new arrangements with the blessing of franchise producer Eiji Aonuma and Nintendo composer and sound director Koji Kondo (Super Mario Bros., The Legend of Zelda).
If you’re head is literally not in the game, it certainly doesn’t matter. Hearing an orchestra play, while watching someone else play through difficult levels of Zelda you may or may not have heard of is at once impressive as it is meditative. And did we mention dynamic? The roar of excitement you feel from the music see Link defeat Ganon might make it seem like a smaller victory at home on your system.
At points, all I could think of, especially while watching a difficult section of Link’s Awakening was, “That looks hard.”
[READ MORE AT DIGBOSTON.COM]
