EARTH PRIME TIME: JUSTICE LEAGUE: THE FLASHPOINT PARADOX

The most recent Justice League animated movie stars the Scarlett Speedster—The Flash against his most formidable foe, Reverse-Flash (Professor Zoom). Justice League: The Flashpoint Paradox (July 30, 2013 release date) is an adaptation of the Flashpoint graphic novel from 2011, the precursor to The New 52 reboot of the DC Universe. Barry Allen awakes powerless to find his world is different and there is a disturbance in the Speed Force. He seeks the help of an unfamiliar Batman to right the world. The question remains—is this movie the end of story adaptations for the old continuity? Signs are pointing to yes, as the sequel of sorts, a post-New 52 tale, Justice League: War has already been announced.

The Flash/Barry Allen (voiced by Justin Chambers) certainly has what it takes to star in his own animated feature. He’s even had a two-season archive of a ’90s live action show with an art-deco backdrop of Central City (complete with DC Animation favorite Mark Hamill appearing as Flash rogueThe Trickster). The Flashpoint Paradox sets up a key Barry Allen life event as the ‘Butterfly Effect,’ or as seen in 2009′s Star Trek, the nadir of a divergent timeline. Based on Geoff Johns’ (DC Entertainment’s Chief Creative Officer) book of the same name, Flashpoint splits when Barry uses the speed force to go back in time to save his mother from a senseless murder after a break-in.

Confused? That’s OK. Flashpoint was set up from the company’s initiative to reset all of the DC heroes, and also rejuvenate the characters with familiar but new origins in The New 52.

In order to start fresh, they opted for this Reverse-Flash vs. Flash story, creating The New 52 continuity from quantum strings and vague memories from Barry Allen of the way things used to be.

The real meat of the story is in the divergent timeline, as Barry wakes up drooling on his desk at Central City Police Department, warned by his computer that the end is nigh. He runs outside to see his very much alive mother, with whom he has dinner plans with. Reverse-Flash Eobard Thawne is responsible somehow for traveling back from his time in the 25th century to create this new world.

Flash - Barry Allen from Flashpoint Paradox

The Flashpoint universe has some familiar faces, but they act very differently here.

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EARTH PRIME TIME: BEWARE THE BATMAN

The new Batman television show Beware the Batman brings an animated Bruce Wayne and Batman back to the television screen. Historically, the Bruce Timm Batman: The Animated Series has been revered in the comic fan’s eyes, and the 2008 Batman: Brave and The Bold had a lighter, Adam-West feel to the caped crusader. The most recent incarnation is a huge paradigm shift from either of the previous series, moving from cell to computer animation, major character reinterpretations and a b-side rogue gallery. Quite possibly, this is the Man Of Steel for animated shows, driving classic fans away but perhaps appealing to a more general audience for The Dark Knight.

Comic fans fear change! From creative teams to character reboots to even the change of the paper being used on a book will spark endless debate online and at the very least fidgets and sighs. We had just gotten used to the campy and sometimes musical Batman: Brave and The Bold and even beaten the button mashing video game, all the while falling in love with that version of the swashbuckling and bearded Aquaman. In Beware The Batman there is a familiarity to the dark tones in both Batman: The Animated Series and The Dark Knight Trilogy.

There are stepping stones into another territory for longtime fans of The Bat in the new series that may endear you to it or have you check yourself into Arkham, driven mad by the seemingly infinite versions of Bruce Wayne and Batman.

The series is rendered in the same computer animation style as the cancelled Green Lantern Animated Series and Tron Uprising. If you can let the slick glass look of Gotham and complex architecture of Wayne Manor, The Batcave and the streets of the city wash over you (I watch on a retina MacBook) it leans toward an immersive experience. The fight scenes are well choreographed and fun to watch as the Batman clobbers the bad guys. The Batsuit owes a lot to the Nolan movies, all black, including the bat symbol, save his yellow or brass utility belt. It is a good but not great design of the Batsuit, which saddens me because I like to get excited when Bruce suits up.

Overall, the design and the computer rendering as a choice work for me withBeware The Batman, as I learn to let go of my nostalgia for cell animation and expect more of this from my heroes in the future.

Mr. Toad and Professor Pyg - Beware the Batman

The enemies in episode one are Professor Pyg and Mr. Toad, introduced by Grant Morrison in Batman and Robin. The masked freak and animal (respectively) are of the 99% and also environmental activists, seeking revenge a land deal signed by Simon Stagg and Bruce Wayne that forced many animals from their native wetlands. The Hitchcock-sounding Pyg uses kidnap and murder instead of words to resolve his issues. Toad has a sonic croak, used to break glass and knock his enemies to the ground. Batman gets involved when Alfred is kidnapped by accident (Toad mistakes him for Wayne).

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EARTH PRIME TIME: SUPERMAN: UNBOUND

Superman: Unbound is the latest DC Universe Animated Original Movie based on an Action Comics arc written by Geoff Johns and drawn by Gary Frank. Though not bogged down by New 52 continuity or pre-Flashpoint Superman Family architecture, the movie does a fair job at retelling the story of the five part Superman: Braniac in 75 minutes. Rumors are that this could be the last DCAU movie set in the old timelines, so continuity buffs and those wishing to celebrate Superman’s 75th birthday this year should give this a chance if you have not already. Since the story references Silver and Golden Age Superman subjects like the Bottled City Of Kandor and Collector of Worlds, this is both a movie for new fans anticipating Man of Steel and those with the House of El’s shield tattooed on their arms. Speaking of which, Supergirl is in for the action too.

 
Our story opens with Lois being abducted by some bad dudes in all black swat outfits from The Daily Planet. Perhaps a nod to our favorite Superman joke, Lois is in a pink outfit (and later has a pink phone and a pink laptop). She’s amazingly calm, because in this version, Lois and Clark are boyfriend and girlfriend. He has a way of saving her from these things.

It turns out that she’s not going to be rescued by big blue because he is dealing with an earthquake elsewhere. High over Metropolis, Miss Lane is in the back of a helicopter, almost helpless if not for her wit.

Heeding the call for action Supergirl uses her powers to defeat the bad guys until Kal shows up.

Cousin Kal reprimands her for using excessive force. This serves the story as an opportunity to introduce the villain of the movie, Braniac. Though not a direct sequel to Superman/Batman: Apocalypse, one can see this as the introduction of the character of Kara-El, cousin to Kal-El Superman.

Lois and Supergirl - Superman Unbound

Both movies rely on Supergirl’s motivations to drive the main story, in fact my girlfriend pointed out to me that the first film should really have been called Superman/Supergirl Apocalypse, as Batman and Wonder Woman were secondary characters.

Even with the amazing Andrea Romano as voice director there are still old fashioned gender issues in mainstream media.

Back on Krypton, before the explosion and Kal being sent to the Kent Farm, older cousin Kara witnessed a ship helmed by Braniac invade the capital of Kandor and slaughter many innocents. As the collector of worlds, Braniac bottled the city after shrinking it and he put this among his collection. Kara’s parents survived the blast and live in the bottle. Kara now can’t stand bullies, so she feels justified using so much force.

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